Title:
Complete Das Wohltemperierte Klavier II (2 CDs)
Catalog: DWKII
by Susanne Kujala |
Front Cover
Das Wohltemperierte Klavier II (2 CDs)
Back Cover
Das Wohltemperierte Klavier II (2 CDs) |
Two CDs
Catalog: DWKII
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Name (Click for Sound Sample) |
Composer |
Time |
1. |
Prelude in C major, BWV 870/1 |
J S Bach |
02:41 |
2. |
Fugue in C major, BWV 870/2 |
J S Bach |
02:37 |
3. |
Prelude in C minor, BWV 871/1 |
J S Bach |
03:17 |
4. |
Fugue in C minor, BWV 871/2 |
J S Bach |
02:31 |
5. |
Prelude in C sharp major, BWV 872/1 |
J S Bach |
02:14 |
6. |
Fugue in C sharp major, BWV 872/2 |
J S Bach |
02:08 |
7. |
Prelude in C sharp minor, BWV 873/1 |
J S Bach |
05:10 |
8. |
Fugue in C sharp minor, BWV 873/2 |
J S Bach |
03:39 |
9. |
Prelude in D major, BWV 874/1 |
J S Bach |
03:05 |
10. |
Fugue in D major, BWV 874/2 |
J S Bach |
03:14 |
11. |
Prelude D minor, BWV 875/1 |
J S Bach |
02:03 |
12. |
Fugue in D minor, BWV 875/2 |
J S Bach |
02:38 |
13. |
Prelude in E flat major, BWV 876/1 |
J S Bach |
02:11 |
14. |
Fugue in E flat major, BWV 876/2 |
J S Bach |
02:27 |
15. |
Prelude in D sharp minor, BWV 877/1 |
J S Bach |
02:27 |
16. |
Fugue in D sharp minor, BWV 877/2 |
J S Bach |
04:24 |
17. |
Prelude in E major, BWV 878/1 |
J S Bach |
02:20 |
18. |
Fugue in E major, BWV 878/2 |
J S Bach |
03:26 |
19. |
Prelude in E minor, BWV 879/1 |
J S Bach |
01:58 |
20. |
Fugue in E minor, BWV 879/2 |
J S Bach |
04:01 |
21. |
Prelude in F major, BWV 880/1 |
J S Bach |
03:06 |
22. |
Fugue in F major, BWV 880/2 |
J S Bach |
02:11 |
23. |
Prelude in F minor, BWV 881/1 |
J S Bach |
04:46 |
24. |
Fugue in F minor, BWV 881/2 |
J S Bach |
02:32 |
25. |
Prelude in F# major, BWV 882/1 |
J S Bach |
03:45 |
26. |
Fugue in F# major, BWV 882/2 |
J S Bach |
03:50 |
|
Total duration: |
79.11 |
|
Name (Click for Sound Sample) |
Composer |
Time |
1. |
Prelude in F sharp minor, BWV 883/1 |
J S Bach |
04:14 |
2. |
Fugue in F sharp minor, BWV 883/2 |
J S Bach |
04:43 |
3. |
Prelude in G major, BWV 884/1 |
J S Bach |
02:45 |
4. |
Fugue in G major, BWV 884/2 |
J S Bach |
01:33 |
5. |
Prelude in G minor, BWV 885/1 |
J S Bach |
02:33 |
6. |
Fugue in G minor, BWV 885/2s |
J S Bach |
03:59 |
7. |
Prelude in A flat major, BWV 886/1 |
J S Bach |
03:44 |
8. |
Fugue in A flat major, BWV 886/2 |
J S Bach |
03:21 |
9. |
Prelude in G sharp minor, BWV 887/1 |
J S Bach |
02:26 |
10. |
Fugue in G sharp minor, BWV 887/2 |
J S Bach |
06:53 |
11. |
Prelude in A major, BWV 888/1 |
J S Bach |
01:48 |
12. |
Fugue in A major, BWV 888/2 |
J S Bach |
01:42 |
13. |
Prelude in A minor, BWV 889/1 |
J S Bach |
05:42 |
14. |
Fugue in A minor, BWV 889/2 |
J S Bach |
02:07 |
15. |
Prelude in B flat major, BWV 890/1 |
J S Bach |
03:56 |
16. |
Fugue in B flat major, BWV 890/2 |
J S Bach |
02:41 |
17. |
Prelude in B flat minor, BWV 891/1 |
J S Bach |
03:09 |
18. |
Fugue in B flat minor, BWV 891/2 |
J S Bach |
05:58 |
19. |
Prelude in B major, BWV 892/1 |
J S Bach |
02:13 |
20. |
Fugue in B major, BWV 892/2 |
J S Bach |
04:58 |
21. |
Prelude in B minor, BWV 893/1 |
J S Bach |
02:36 |
22. |
Fugue in B minor, BWV 893/2 |
J S Bach |
01:59 |
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Total duration: |
75.24 |
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Purchase: Two CDs Catalog: DWKII
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Album Information: Das Wohltemperierte Klavier II of J S Bach
Susanne Kujala, Classical Accordion (Lehman tuning)
Johann Sebastian Bach's (1685–1750) The Well-Tempered Clavier consists of two volumes,
each containing 24 preludes and fugues. Bach composed a pair of works in major (tertiam
majorem) and minor (tertiam minorem) for each half-step of the chromatic keyboard.
The album 1 is a complete recording of the first part of the Well-Tempered Clavier,
which Bach completed in 1722.
In well-tempered tunings, there are tonal characteristics for each key since the twelve half-
steps of an octave are not all tuned equally. However, it depends on which of the many
well-tempered tunings is being referred to, and we cannot know with any certainty which
tuning Bach had in mind for his Well-Tempered Clavier. Bradley Lehman interprets the
ornament on the title page of the first part of the Well-Tempered Clavier (see illustration)
as a tuning guide (for more information, see larips.com).
I have my accordion tuned according to Lehman's interpretation because I enjoy how
the Well-Tempered Clavier blossoms in Lehman's tuning. I find the sound of this music in
Lehman's tuning to be much more balanced and interesting than in equal temperament.
May this complete recording of the Well-Tempered Clavier II serve as an inspiration for
students and all admirers of Bach's music, providing them with a “special pastime” and
stimulating enjoyment.
Susanne Kujala
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